首页分享【音乐教育学与音乐表演理论】徐戈/梅西安《乌鸫》中十二音风格之鸟鸣的演奏特征

【音乐教育学与音乐表演理论】徐戈/梅西安《乌鸫》中十二音风格之鸟鸣的演奏特征

来源：萌宠菠菠乐园时间：2024-11-21 10:25

　　摘要：梅西安身为“二战”前后的作曲家，也许是战后影响最大的作曲家，他的作品都有自己独特的艺术特征。本文通过对其长笛现代派代表作《乌鸫》音乐主题的把握以及创作风格上的特点，寻找其带有标识意义的鸟歌的特性音调，了解其运用鸟歌进行创作的艺术灵感，进而帮助我们在演奏时更加准确的把握梅西安作品的灵魂。

　　关键词：梅西安；《乌鸫》；长笛；创作风格；演奏

On the Performance Features of Twelve-Tone Style for the Bird Sounding in Messiaen’s Le Merle noir

XU Ge

　　Abstract: As the composer activity around “World War II”, Messiaen probably was the most influential one at post-war, and each of his works had own unique artistic features. Through to catch the music theme of Messiaen’s Le Merle noir, a modern masterpiece for flute, with its features of creative style, the article discussed the individual tone that significance with the identification of the bird song, got to learn his artistic inspiration of composition with the the bird song, and further to help the player to hold the soil of Messiaen’s work when playing it properly.

　　Key Words: Olivier Messiaen (1908~1992), Le Merle noir (1951), flute, creative style, performance